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Автор Надин Гордимер

Nadine Gordimer

The Conservationist

I must have been almost crazy to start out alone like that on my bicycle pedalling into the tropics carrying a medicine for which no one had found the disease and hoping I would make it in time

I passed through a paper village under glass where the explorers first found silence and taught it to speak where old men were sitting in front of their houses killing sand without mercy brothers I shouted to them tell me who moved the river where can I find a good place to drown

Richard Shelton,‘The Tattooed Desert’

Acknowledgements

Prose quotations are from the Reverend Henry Callaway’s The Religious System of the Amazulu, dealing with Unkulunkulu, or the Tradition of Creation; Amatonga, or Ancestor worship; Izinyanga Zokubula, or Divination; and Abatakato, or Medical Magic and Witchcraft, originally published by the Springdale Mission Press. Acknowledgements are made to the facsimile edition published by C. Struik (Pty) Ltd, Cape Town, 1970.

Acknowledgements are made to Richard Shelton for permission to quote part of his poem ‘The Tattooed Desert’, first published in The New Yorker Magazine, copyright © The New Yorker Magazine, Inc. , 1970, and subsequently included in Mr Shelton’s collection of poetry, The Tattooed Desert, University of Pittsburgh Press, 1971.

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Pale freckled eggs.

Swaying over the ruts to the gate of the third pasture, Sunday morning, the owner of the farm suddenly sees: a clutch of pale freckled eggs set out before a half-circle of children. Some are squatting; the one directly behind the eggs is cross-legged, like a vendor in a market. There is pride of ownership in that grin lifted shyly to the farmer’s gaze. The eggs are arranged like marbles, the other children crowd round but you can tell they are not allowed to touch unless the cross-legged one gives permission. The bare soles, the backsides of the children have flattened a nest in the long dead grass for both eggs and children.

The emblem on the car’s bonnet, itself made in the shape of a prismatic flash, scores his vision with a vertical-horizontal sword of dazzle. This is the place at which a child always appears, even if none has been in sight, racing across the field to open the gate for the car. But today the farmer puts on the brake, leaves the engine running and gets out. One very young boy, wearing a jersey made long ago for much longer arms but too short to cover a naked belly, runs to the gate and stands there. The others all smile proudly round the eggs. The cross-legged one (wearing a woman’s dress, but it may be a boy) puts out his hands over the eggs and gently shuffles them a little closer together, letting a couple of the outer ones roll back into his palms. The eggs are a creamy buff, thick-shelled, their glaze pored and lightly speckled, their shape more pointed than a hen’s, and the palms of the small black hands are translucent-looking apricot-pink. There is no sound but awed, snuffling breathing through snotty noses.