From an 1891 edition
ISBN 978-1-62012-476-5
Duke Classics
© 2012 Duke Classics and its licensors. All rights reserved.
This translation was suggested not by any pretensions to range myself among the ranks of the body of sinologues, but by the perplexities and difficulties experienced by me as a student in Peking, when, at the completion of the Tzu Erh Chi, I had to plunge in the maze of the Hung Lou Meng.
Shortcomings are, I feel sure, to be discovered, both in the prose, as well as among the doggerel and uncouth rhymes, in which the text has been more adhered to than rhythm; but I shall feel satisfied with the result, if I succeed, even in the least degree, in affording a helping hand to present and future students of the Chinese language.
This is the opening section; this the first chapter. Subsequent to the visions of a dream which he had, on some previous occasion, experienced, the writer personally relates, he designedly concealed the true circumstances, and borrowed the attributes of perception and spirituality to relate this story of the Record of the Stone. With this purpose, he made use of such designations as Chen Shih-yin (truth under the garb of fiction) and the like. What are, however, the events recorded in this work? Who are the dramatis personae?
Wearied with the drudgery experienced of late in the world, the author speaking for himself, goes on to explain, with the lack of success which attended every single concern, I suddenly bethought myself of the womankind of past ages. Passing one by one under a minute scrutiny, I felt that in action and in lore, one and all were far above me; that in spite of the majesty of my manliness, I could not, in point of fact, compare with these characters of the gentle sex. And my shame forsooth then knew no bounds; while regret, on the other hand, was of no avail, as there was not even a remote possibility of a day of remedy.