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Автор Питер Робинсон

WEDNESDAY’S CHILD

PENGUIN BOOKS

Peter Robinson grew up in Leeds, Yorkshire. He emigrated to Canada in 1974 and attended York University and the University of Windsor, where he was later Writer in Residence. He received the Arthur Ellis Award in 1992 for Past Reason Hated and in 1997 for Innocent Graves, and was shortlisted for the John Creasey Award in Britain for his first Inspector Banks mystery, Gallows View. Past Reason Hated also won the 1994 TORGI Talking Book of the Year Award, and Wednesday’s Child was nominated for an Edgar Award. Six additional Inspector Banks novels have all been published to critical acclaim. Peter Robinson is also the author of the psychological thriller Caedmon’s Song and the LAPD procedural No Cure for Love. He lives in Toronto.

Other Inspector Banks mysteries published by Penguin:

Gallows View

A Dedicated Man

A Necessary End

The Hanging Valley

Past Reason Hated

Final Account

Innocent Graves

Dead Right

In a Dry Season

Also by Peter Robinson:

Caedmon’s Song

No Cure for Love

WEDNESDAY’S CHILD

An Inspector Banks Mystery

Peter Robinson

Penguin Books

PENGUIN BOOKS

Published by the Penguin Group

Penguin Books Canada Ltd, 10 Alcorn Avenue, Toronto, Ontario,

Canada M4V 3B2

Penguin Books Ltd, Registered Offices: Harmondsworth, Middlesex, England FOf SilClla

First published in Viking by Penguin Books Canada Limited, 1992 Published in Penguin Books, 1993

Copyright Š Peter Robinson, 1992

ISBN 0-14-017474-5

WEDNESDAY’S CHILD

“Lost in the desart wild Is your little child. How can Lyca sleep If her mother weep?”

Sleeping Lyca lay

While the beasts of prey,

Come from caverns deep,

View’d the maid asleep.

William Blake

“The Little Girl Lost”

1

The room was a tip, the woman a slattern. On the floor, near the door to the kitchen, a child’s doll with one eye missing lay naked on its back, right arm raised above its head. The carpet around it was so stained with groundin mud and food, it was hard to tell what shade of brown it had been originally.

High in one corner, by the front window, pale flowered wallpaper had peeled away from a damp patch. The windows were streaked with grime, and the flimsy orange curtains needed washing.

When Detective Chief Inspector Alan Banks perched at the edge of the scuffed olive-green armchair, he felt a spring dig into the back of his left thigh. He noticed Detective Constable Susan Gay turn up her nose as she looked at a garish oil-painting of Elvis Presley above the mantelpiece. “The King” was wearing a jewelled white cape with a high collar and held a microphone in his ringed hand.

In contrast to the shabby decor, a compact music centre in mint condition stood against one wall, a green-and- yellow budgie in a cage nonchalantly sharpened its bill on a cuttlefish, and an enormous matte black colour television blared out from one corner. “Blockbusters” was

on, and Banks heard Bob Holness ask, “What ‘B’ is the

name of an African country bordering on South Africa?”

“Could you turn the sound down, please, Mrs Scupham?” Banks asked the woman.

She looked at him blankly at first, as if she didn’t understand his request, then she walked over and turned off the TV altogether. “You can call me Brenda,” she said when she sat down again.