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Автор Эндрю Фукуда

For Jim and Mike

CONTENTS

Title Page

Copyright Notice

Dedication

Epigraph

Chapter 1

Chapter 2

Chapter 3

Chapter 4

Chapter 5

Chapter 6

Chapter 7

Chapter 8

Chapter 9

Chapter 10

Chapter 11

Chapter 12

Chapter 13

Chapter 14

Chapter 15

Chapter 16

Chapter 17

Chapter 18

Chapter 19

Chapter 20

Chapter 21

Chapter 22

Chapter 23

Chapter 24

Chapter 25

Chapter 26

Chapter 27

Chapter 28

Chapter 29

Chapter 30

Chapter 31

Chapter 32

Chapter 33

Chapter 34

Chapter 35

Chapter 36

Chapter 37

Chapter 38

Chapter 39

Chapter 40

Chapter 41

Chapter 42

Chapter 43

Chapter 44

Chapter 45

Chapter 46

Chapter 47

Chapter 48

Chapter 49

Chapter 50

Chapter 51

Chapter 52

Chapter 53

Chapter 54

Chapter 55

Chapter 56

Chapter 57

Chapter 58

Chapter 59

Chapter 60

Chapter 61

Chapter 62

Chapter 63

Chapter 64

Chapter 65

Chapter 66

Acknowledgments

Also by Andrew Fukuda

Praise for the Author

About the Author

Copyright

Our torments also may, in length of time,

Become our elements, these piercing fires

As soft as now severe …

—John Milton, Paradise Lost

1

THE TRAIN ARRIVES in the dead of day.

The sun, perched high in the sky, scorches the desert a blinding white. Only the black filament of the train’s moving shadow taints this baked wasteland. The train slows, its line of cars rattling like the links of a metal chain dragged. None of the occupants on the train—and there are many, and they are tense, and they are standing with taut backs and frightened eyes—make a sound.

A tiny black dot circles high in the blue sky. It is a hawk, gazing curiously at the rippling shadow of the train beneath. The hawk squawks in surprise as the train suddenly dips into an opening in the ground. Like a snake, swiftly into a hole, disappearing. Gone as if it were never even there.

About ten miles away, on the other side of a range of low-slung hills, lies a gigantic disc-shaped building spanning several city blocks. It lies silent as a tombstone, circled almost completely by a thin rampart. A tall, slim obelisk rises from the building’s dead center. The windowed tip of this obelisk glimmers brightly under the sun like a lit candle. The obelisk is otherwise, as with the entire building, the color of the desert. Nothing moves on, in, or around the building.

Not at this time of day.

The hawk observes this building with a steely, unblinking stare. Then, with a sudden squawk, it flaps its wings and flies away.

2

WE PLUNGE INTO the tunnel. Its opening gapes wide like a diseased mouth that eagerly swallows us whole. Our world of stark white and cobalt skies, in a sudden blink of an eye, is erased with pure black. A hot wind, dank and moist as a tongue, hurls through the bars of our caged car, gusts through our clothes and hair, our clenched hands, our crouched, shaking bodies.

Under us, sparks of light shoot out from the shrieking, braking wheels of the train. As one, we’re flung forward onto the metal mesh floor. Fear hums off our piled bodies in droves. A small hand, clammy with fear, clutches mine. “Not the Palace, not the Palace, not the…” she murmurs. One of the younger girls.