JOHN MORTIMER
The Collected Stories of Rumpole
PENGUIN BOOKS
Contents
THE COLLECTED STORIES OF RUMPOLE
Rumpole and the Younger Generation
Rumpole and the Heavy Brigade
Rumpole and the Man of God
Rumpole and the Showfolk
Rumpole and the Expert Witness
Rumpole and the Spirit of Christmas
Rumpole and the Boat People
Rumpole and the Genuine Article
Rumpole and the Last Resort
Rumpole and the Blind Tasting
Rumpole and the Judge’s Elbow
Rumpole’s Last Case
Rumpole and the Tap End
Rumpole and the Bubble Reputation
Rumpole and Portia
Rumpole à la Carte
Rumpole on Trial
Rumpole and the Model Prisoner
Rumpole and the Old Familiar Faces
Rumpole and the Primrose Path
PENGUIN MODERN CLASSICS
THE COLLECTED STORIES OF RUMPOLE
John Mortimer (1923–2009) was a barrister, playwright and novelist. His fictional trilogy about the inexorable rise of an ambitious Tory MP in the Thatcher years (
Sam Leith is the former literary editor of the
Introduction
‘Being Horace Rumpole in his sixties, still slogging round the Old Bailey with sore feet, a modest daily hangover and an aching back was certainly no great shakes, but who else could I be?’ (p. 167).
Such is the situation of John Mortimer’s greatest creation. Who else could Rumpole be, but a hungover Old Bailey Hack in his sixties? His own account tells us he was born some time around 1910, but he actually drew his first breath, already in his sixties and, as it were, pre-crumpled, in December 1975, when ‘Rumpole of the Bailey’ went out on the BBC’s long-running TV series
Rumpole, then, had his first incarnation on the small screen. In fittingly Rumpolian fashion, he got the second choice of name and third choice of actor. Originally, he was to have been called ‘Rumbold’ (a decision hastily modified after the discovery that there already existed, in Guildford, a barrister called Horace Rumbold). And though he was brought brilliantly to life by Leo McKern, his creator had originally eyed Michael Hordern (too busy) and Alastair Sim (too dead) for the part.
The many prose stories that Mortimer went on to write, of which you hold in your hands a selection of the best, are more than just TV spin-offs, however. They have an independent, and enduring, life. McKern’s stentorian Rumpole on the small screen may have defined the character in the public mind, but what we find in the stories is a subtly different creature: camper, more feline, more Mortimeresque.