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Coningsby

Or, The New Generation

Earl of Beaconsfield Benjamin Disraeli 

Dedication

To Henry Hope

It is not because this work was conceived and partly executed amid the glades and galleries of the DEEPDENE that I have inscribed it with your name. Nor merely because I was desirous to avail myself of the most graceful privilege of an author, and dedicate my work to the friend whose talents I have always appreciated, and whose virtues I have ever admired.

But because in these pages I have endeavoured to picture something of that development of the new and, as I believe, better mind of England, that has often been the subject of our converse and speculation.

In this volume you will find many a thought illustrated and many a principle attempted to be established that we have often together partially discussed and canvassed.

Doubtless you may encounter some opinions with which you may not agree, and some conclusions the accuracy of which you may find cause to question. But if I have generally succeeded in my object, to scatter some suggestions that may tend to elevate the tone of public life, ascertain the true character of political parties, and induce us for the future more carefully to distinguish between facts and phrases, realities and phantoms, I believe that I shall gain your sympathy, for I shall find a reflex to their efforts in your own generous spirit and enlightened mind.

GROSVENOR GATE: May Day 1844.

Publishers' Note

As a novelist, Benjamin Disraeli belongs to the early part of the nineteenth century. "Vivian Grey" (1826–27) and "Sybil" (1845) mark the beginning and the end of his truly creative period; for the two productions of his latest years, "Lothair" (1870) and "Endymion" (1880), add nothing to the characteristics of his earlier volumes except the changes of feeling and power which accompany old age. His period, thus, is that of Bulwer, Dickens, and Thackeray, and of the later years of Sir Walter Scott—a fact which his prominence as a statesman during the last decade of his life, as well as the vogue of "Lothair" and "Endymion," has tended to obscure. His style, his material, and his views of English character and life all date from that earlier time.

"Coningsby; or, The New Generation," published in 1844, is the best of his novels, not as a story, but as a study of men, manners, and principles. The plot is slight—little better than a device for stringing together sketches of character and statements of political and economic opinions; but these are always interesting and often brilliant. The motive which underlies the book is political. It is, in brief, an attempt to show that the political salvation of England was to be sought in its aristocracy, but that this aristocracy was morally weak and socially ineffective, and that it must mend its ways before its duty to the state could be fulfilled. Interest in this aspect of the book has, of course, to a large extent passed away with the political conditions which it reflected. As a picture of aristocratic life in England in the first part of the nineteenth century it has, however, enduring significance and charm. Disraeli does not rank with the great writers of English realistic fiction, but in this special field none of them has surpassed him. From this point of view, accordingly, "Coningsby" is appropriately included in this series.