Old Bones
Aaron Elkins
TWO
THREE
FOUR
FIVE
SIX
SEVEN
EIGHT
NINE
TEN
ELEVEN
TWELVE
THIRTEEN
FOURTEEN
FIFTEEN
SIXTEEN
SEVENTEEN
EIGHTEEN
NINETEEN
TWENTY
TWENTY-ONE
TWENTY-TWO
Old Bones
Aaron Elkins
ONE
So still and silent was the fog-wreathed form that it might have been an angular, black boulder. But there are no boulders, angular or otherwise, to mar the immense, flat tidal plain that is Mont St. Michel Bay. When the tide is out there is only sand, more than a hundred square miles of it. And when the tide is in, the plain becomes a vast, rolling ocean from which the great abbey-citadel of Mont St. Michel itself-St. Michael’s Mount-rears like some stupendous, God-made thing of dark and gloomy granite, all narrow Gothic arches and stark, medieval perpendiculars.
The mist eddied, then shifted, and the figure was revealed to be a lean, elderly man in a fur hat and a heavy, well-tailored black overcoat, kneeling in the sand and hunched over a limpet shell in his leather-gloved left hand. But though his head was appropriately inclined, the old man was not looking at the shell.
He stared without seeing, his thoughts far away. His right hand was thrust deeply into the pocket of the overcoat. For many minutes he remained so, unmoving, lost in reflection, and then he tensed suddenly. His head jerked up, then cocked to one side, the better to listen. The wide, aristocratic forehead was inquisitively wrinkled, the thick, white eyebrows arched.
A terrible, white scar that began at the left corner of his mouth and disappeared under a black satin eye patch seemed to tighten, so that his thin mouth was jerked out of line. His right eye, gray and clear, held a look of strained disbelief.The old man, who never spoke to himself, spoke to himself.
"The tide?" he whispered, and again: "The tide!"
He dropped the mollusk and rose stiffly to his feet. He bent again to fumble with one hand for the woven-straw mat on which he’d been kneeling to protect the knees of his dark-gray trousers, but then he flung that away too, turned, and made grimly for the Mont, more than a kilometer away, which was visible only dimly and intermittently through the mist. The man moved quickly but jerkily, his crippled leg throwing his balance off, his left hand energetically swinging, his right immobile in its pocket.
The tide! How could he have lost track of time so completely? It hardly seemed possible, but there was no mistaking the sound of it, nor the rush of cool, salt-laden air that streamed before it. "With the roar of thunder," went the old Breton nursery song, "and the speed of a galloping horse, comes the tide to Mont St. Michel. "
He did not require the aid of metaphor to understand his predicament. The speed of the incoming tide was not quite that of a galloping horse, but it was fast enough-a gleaming skin of water rolling smoothly into the bay at nearly twenty-five kilometers an hour, its face endlessly collapsing and tumbling in on itself. It was no towering tidal wave of death, he knew that; but a seeping, stealthy flood that was not there one moment, sloshed at one’s ankles the next, then at one’s hips…