Sebastian Barry
The Secret Scripture
Copyright © Sebastian Barry, 2008
For Margaret Synge
'The greatest imperfection is in our inward sight, that is, to be ghosts unto our own eyes. '
Sir Thomas Browne, Christian Morals
'Of the numbers who study, or at least read history, how few derive any advantage from their labours!…Besides, there is much uncertainty even in the best authenticated ancient and modern histories; and that love of truth, which in some minds is innate and immutable, necessarily leads to a love of secret memoirs and private anecdotes. '
Maria Edgeworth, Preface to Castle Rackrent
PART ONE
chapter one
Roseanne's Testimony of Herself (Patient, Roscommon Regional Mental Hospital, 1957-)
The world begins anew with every birth, my father used to say. He forgot to say, with every death it ends. Or did not think he needed to. Because for a goodly part of his life he worked in a graveyard.
That place where I was born was a cold town. Even the mountains stood away. They were not sure, no more than me, of that dark spot, those same mountains.
There was a black river that flowed through the town, and if it had no grace for mortal beings, it did for swans, and many swans resorted there, and even rode the river like some kind of plunging animals, in floods.
The river also took the rubbish down to the sea, and bits of things that were once owned by people and pulled from the banks, and bodies too, if rarely, oh and poor babies, that were embarrassments, the odd time. The speed and depth of the river would have been a great friend to secrecy.
That is Sligo town I mean.
Sligo made me and Sligo undid me, but then I should have given up much sooner than I did being made or undone by human towns, and looked to myself alone. The terror and hurt in my story happened because when I was young I thought others were the authors of my fortune or misfortune; I did not know that a person could hold up a wall made of imaginary bricks and mortar against the horrors and cruel, dark tricks of time that assail us, and be the author therefore of themselves.
I am not there now, now I am in Roscommon. It is an old place that was one time a mansion but it is all cream paint and iron beds now, and locks on the doors. It is all Dr Grene's kingdom. Dr Grene is a man I don't understand but I am not afraid of him. What religion he is I don't know, but he looks very like to St Thomas, with his beard and balding crown.
I am completely alone, there is no one in the world that knows me now outside of this place, all my own people, the few farthings of them that once were, my little wren of a mother I suppose in chief, they are all gone now. And my persecutors are gone in the main I believe, and the reason for all this is that I am an old, old woman now, I may be as much as a hundred, though I do not know, and no one knows. I am only a thing left over, a remnant woman, and I do not even look like a human being no more, but a scraggy stretch of skin and bone in a bleak skirt and blouse, and a canvas jacket, and I sit here in my niche like a songless robin – no, like a mouse that died under the hearthstone where it was warm, and lies now like a mummy in the pyramids.