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Su Tong

The Boat to Redemption

PART ONE

Son

MOST PEOPLE live on dry land, in houses. But my father and I live on a barge. Nothing surprising about that, since we are boat people; the terra firma does not belong to us.

Everyone knows that the Sunnyside Fleet plies the waters of the Golden Sparrow River all year round, so life for Father and me hardly differs from that of fish: whether heading upriver or down, most of our time is spent on the water. It’s been eleven years. I’m still young and strong, but my father, a rash and careless man, is sinking inexorably into the realm of the aged.

Ever since the autumn he has been exhibiting strange symptoms, some age-related, some not. The pupils of his eyes are shrinking and becoming increasingly cloudy — sort of fish-like. He hardly ever sleeps any more; from morning to night he observes life on the shore through fish eyes filled with dejection, occasionally managing to doze a bit in the early morning hours, as he fills the cabin with a faint fishy odour, the earthy smell of a carp, at times especially heavy — even worse, I think, than a dead fish on a line. Sighs of torment escape from his mouth one minute and transparent bubbles merrily appear the next. I’ve noticed spots on the backs of his hands and along his spine; a few are brown or dark red, but most glisten like silver, and it’s these that are beginning to worry me. I can’t help thinking that my father will soon grow scales on his body.

Anyone who lives on the banks of the Golden Sparrow River is familiar with the martyr Deng Shaoxiang. Hers is a name that appeals to all, refined or common, a stirring musical note in the region’s revolutionary history. My father’s fate is tied up with the ghost of Deng Shaoxiang. For Ku Wenxuan, my father, was once Deng Shaoxiang’s son. Please note that I said ‘once’. I had no choice, I had to say it, however inconsequential a word it might seem to you. You see, it is the key to unlocking the story of my father’s life.