Published by HarperCollins
The Ipcress File first published in Great Britain by Hodder & Stoughton 1962
Horse Under Water first published in Great Britain by Jonathan Cape 1963
Funeral in Berlin first published in Great Britain by Jonathan Cape 1964
Billion-Dollar Brain first published in Great Britain by Jonathan Cape 1966
Copyright © Pluriform Publishing Company BV 1962, 1963, 1964, 1966
Introduction copyright © Pluriform Publishing Company BV 2009
Cover design and photography © Arnold Schwartzman 2009
E-bundle cover design © HarperCollins
Len Deighton asserts the moral right to be identified as the author of this work
A catalogue copy of this book is available from the British Library.
This novel is entirely a work of fiction. The names, characters and incidents portrayed in it are the work of the author’s imagination. Any resemblance to actual persons, living or dead, events or localities is entirely coincidental.
All rights reserved under International and Pan-American Copyright Conventions. By payment of the required fees, you have been granted the non-exclusive, non-transferable right to access and read the text of this e-book on screen. No part of this text may be reproduced, transmitted, down-loaded, decompiled, reverse engineered, or stored in or introduced into any information storage and retrieval system, in any form or by any means, whether electronic or mechanical, now known or hereinafter invented, without the express written permission of HarperCollins.
Source ISBN: 9780586026199, 9780586044315, 9780586045800, 9780586044285
Ebook Edition © JUNE 2013 ISBN 9780007531479
Version: 2018-11-27
The great challenge I faced when asked to produce the covers for new editions of Len Deighton’s books was the existence of the brilliant designs conceived by Ray Hawkey for the original editions.
However, having arrived at a concept, part of the joy I derived in approaching this challenge was the quest to locate the various props which the author had so beautifully detailed in his texts. Deighton has likened a spy story to a game of chess, which led me to transpose the pieces on a chess board with some of the relevant objects specified in each book. I carried this notion throughout the entire quartet of books.