Читать онлайн «Dead Sea»

Автор Тим Каррен

Tim Curran

PROLOGUE

2

3

PART ONE

2

3

4

5

6

7

8

9

10

11

12

13

14

15

16

17

18

19

20

21

22

23

24

25

26

27

28

29

PART TWO

2

3

4

5

6

7

8

9

10

11

12

13

14

15

16

17

18

19

20

21

22

23

24

25

26

27

28

29

30

31

32

33

PART THREE

2

3

4

5

6

7

8

9

10

11

12

13

14

15

16

17

18

19

20

21

22

23

24

25

26

PART FOUR

1

2

3

4

5

6

7

8

9

10

11

12

13

14

15

16

17

18

19

20

21

22

23

24

25

26

27

28

29

30

31

32

EPILOGUE

2

Tim Curran

Dead Sea

PROLOGUE

DEVIL OF THE DEEP

1

THREE DAYS, THEN.

Three days adrift in that fetid cage of fog.

Fog that stank like a wind blown from the throat of a corpse.

Just Styles in the little dinghy, alone. Not a man anymore, not really, just something silent and waxen and waiting. Something small and existential, something crushed and discarded, flaking and decaying and dissolving. And, yes, something that was afraid to look into the fog and something that was afraid to listen, because if you listened there were sounds out there. Awful, terrible sounds that-

But Styles was not listening because he was alone and there was nothing in the fog and he had to remember that.

The reality of his shipwreck and exile into that stillborn sea was this: no food, no water, no hope of the same. Just that silent becalmed sea and the mist and his throat swollen and red from screaming, screaming for help and knowing there was none to be had.

Yes, Styles was alone like a man lost on Mars or one that had fallen shrieking into some ebon pit beyond the edges of the universe and he was frightened. Frightened of just about everything. Just him and his mother’s silver crucifix at his throat. The both of them, then, stretched out in the dinghy, listening for the sounds of sails or oars or a ship’s bell and never hearing them.

Never hearing anything but the fog.

Because if you had nothing to listen to but the papery rustle of your own heartbeat and the scratching of air in your lungs, then you would start listening to the fog like Styles was.

And you would realize, soon enough, that the fog was not dead, not really, it was a living, dividing flux of organic material. And if you listened very closely you could hear the blood rushing in its veins and the hum of its nerve endings, a distant rushing sound like respiration. The sound of the fog breathing.

Yes, the fog and always the fog.

A sucking gray mist that stank of rotting seaweed and dead things on beaches, moving and shifting and enclosing. A mildewed, moist shroud that was equal parts corpse gas, teleplasm, and suspended slime. It was thick and coveting, claustrophobic and suffocating.

Styles’ first day in it he was amazed by its contours and density. The second day he hated its fullness, its completeness, the way tendrils of it drifted over the dinghy and sought him out. And the third day? The third day it simply scared him. Because he was hearing things in it. The sounds of pelagic nightmares that called it home. The things that were waiting for him to fall overboard, things with yellow eyes and tentacles and sawblade teeth, malignancies and monsters.

And he kept telling himself: Don’t think about that, don’t think about any of that business because it’s all in your head… imagination, that’s all.