The Project Gutenberg EBook of Romance, by Joseph Conrad and F. M. Hueffer
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Title: Romance
Author: Joseph Conrad and F. M. Hueffer
Release Date: January 31, 2006 [EBook #17642]
Language: English
*** START OF THIS PROJECT GUTENBERG EBOOK ROMANCE ***
Produced by David Widger
ROMANCE
By Joseph Conrad
and
F. M. Hueffer
COPYRIGHT, 1903, BY
DOUBLEDAY, PAGE & COMPANY
ALL RIGHTS RESERVED
PRINTED IN THE UNITED STATES
AT
THE COUNTRY LIFE PRESS, GARDEN CITY, N. Y.
TO
ELSIE AND JESSIE
"C'est toi qui dors dans Vombre, O sacré Souvenir. "
If we could have remembrance now
And see, as in the days to come
We shall, what's venturous in these hours:
The swift, intangible romance of fields at home,
The gleams of sun, the showers,
Our workaday contentments, or our powers
To fare still forward through the uncharted haze
Of present days. . .
.For, looking back when years shall flow
Upon this olden day that's now,
We'll see, romantic in dimm'd hours,
These memories of ours.
Contents
PART FIRST — THE QUARRY AND THE BEACH
CHAPTER ONE
CHAPTER TWO
CHAPTER THREE
CHAPTER FOUR
CHAPTER FIVE
PART SECOND — THE GIRL WITH THE LIZARD
CHAPTER ONE
CHAPTER TWO
CHAPTER THREE
CHAPTER FOUR
CHAPTER FIVE
CHAPTER SIX
CHAPTER SEVEN
PART THIRD — CASA RIEGO
CHAPTER ONE
CHAPTER TWO
CHAPTER THREE
CHAPTER FOUR
CHAPTER FIVE
CHAPTER SIX
PART FOURTH — BLADE AND GUITAR
CHAPTER ONE
CHAPTER TWO
CHAPTER THREE
CHAPTER FOUR
CHAPTER FIVE
CHAPTER SIX
CHAPTER SEVEN
CHAPTER EIGHT
CHAPTER NINE
CHAPTER TEN
CHAPTER ELEVEN
PART FIFTH — THE LOT OF MAN
CHAPTER ONE
CHAPTER TWO
CHAPTER THREE
CHAPTER FOUR
CHAPTER FIVE
PART FIRST — THE QUARRY AND THE BEACH
ROMANCE
CHAPTER ONE
To yesterday and to to-day I say my polite "vaya usted con Dios. " What are these days to me? But that far-off day of my romance, when from between the blue and white bales in Don Ramon's darkened storeroom, at Kingston, I saw the door open before the figure of an old man with the tired, long, white face, that day I am not likely to forget. I remember the chilly smell of the typical West Indian store, the indescribable smell of damp gloom, of locos, of pimento, of olive oil, of new sugar, of new rum; the glassy double sheen of Ramon's great spectacles, the piercing eyes in the mahogany face, while the tap, tap, tap of a cane on the flags went on behind the inner door; the click of the latch; the stream of light. The door, petulantly thrust inwards, struck against some barrels. I remember the rattling of the bolts on that door, and the tall figure that appeared there, snuffbox in hand. In that land of white clothes, that precise, ancient, Castilian in black was something to remember. The black cane that had made the tap, tap, tap dangled by a silken cord from the hand whose delicate blue-veined, wrinkled wrist ran back into a foam of lawn ruffles. The other hand paused in the act of conveying a pinch of snuff to the nostrils of the hooked nose that had, on the skin stretched tight over the bridge, the polish of old ivory; the elbow pressing the black cocked-hat against the side; the legs, one bent, the other bowing a little back—this was the attitude of Seraphina's father.